![]() He wears the aura well, delivering the livelier of Buddy Michael Blair, though, is something of the man of theĮvening as Buddy Holly. Good time because “oh baby, you know what I like.” It’s a perfect re-creation. The character of a jolly guy with a big, booming voice who’s going to have a Like this”… and the ringing of a phone is heard… which leads into The Bigīopper’s famous phone call in “Chantilly Lace.” And Darren Johnson sweeps into Is scolding audience members about turning off their cell phone, “which sounds With “That’ll Be the Day,” which closes with “that’ll be the day when I die.”ĭarren Johnson also is a trickster. Three stars in the form of “Amazing Grace.” That is followed a remembrance of “theĭay the music died” that leads into the performer as Buddy Holly letting loose Troupe’s traditional honoring of service men and women blended with tribute to the To Buddy Holly, The Big Bopper and Ritchie Valens. The stories in the songs can be told in other ways.Īnd toward the end, the story moves into a hymn-like tribute ![]() That spreads the wealth of songs Buddy Holly wrote and gives ![]() The story-ness of this show includes Buddy Holly songs being A silence of special attention slips under the spirited music of “Ohīoy!” and “Fade Away.” That silence returns other times when the performerĪppears in the show, “Oh Boy! Buddy Holly.” Of the performers is introduced as Buddy Holly.Īs he sings in horn-rimmed glasses with trim and limber bodyĪnd voice of a young man, a mist of make-believe seems to waft over theĪudience. (Warren Gerds)įlashing forward to the start of the show Friday night, one 1, 1959, that include Buddy Holly in the upper left and Ritchie Valens in the lower right. A display in the lobby of the Riverside Ballroom includes photographs taken there Feb.
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